A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
A V A I L A B L E S O O N
Morse is a piece for Large ensemble based on a created new morse code, using conductor movements and
metachronal rhythm (wavy movements produced by the sequential action (as opposed to synchronisation).
These movements produce the appearance of a travelling wave. The piece is also uses movement detector
apps on phones. Some direct sounds are produced by the phones used as an instrument.
The morse code has been created, following the shape a conductor draws in the air to write a letter, attributing
one or two different movements to each letter of the alphabet
Morse is a piece for Large ensemble based on a created new morse code, using conductor movements and
metachronal rhythm (wavy movements produced by the sequential action (as opposed to synchronisation).
These movements produce the appearance of a travelling wave. The piece is also uses movement detector
apps on phones. Some direct sounds are produced by the phones used as an instrument.
The morse code has been created, following the shape a conductor draws in the air to write a letter, attributing
one or two different movements to each letter of the alphabet
composer. visual artist.
Doubling Bb Clarinet
It is possible to move to the Bb Clarinet for the last chord progression of the piece as certain notes could be weaker than
expected. It shall be discussed with the composer beforehand.
BURNING is a piece for Bass Clarinet (doubling Bb clarinet), fixed media and lighting system. It presents an industrial
mechanical soundscape posing questions about ecological preservation through our relation to nature and hyperreality1. The clarinetist sits in the centre of the stage, and appears and disappears from view with surreal changes of lighting.
Using cues from visual art exhibitions, BURNING takes the form of an installation in which the audience can move freely between the stage and the stalls, experiencing the different soundscapes from the various amps and speakers hidden around the hall.
Except for the crackling fire sound effects and one single recording of singing birds I recorded in my hometown, all the
sonic material in the tracks is generated from clarinet samples recorded with Heather Roche.
